
Artist: Art Porter
Genre(s):
Easy Listening
Other
Discography:

For Art's Sake
Year: 1998
Tracks: 10

Lay Your Hands On Me
Year: 1996
Tracks: 10

Undercover
Year: 1994
Tracks: 11

Straight To The Point
Year: 1993
Tracks: 11

Pocket City
Year: 1992
Tracks: 11
Art Porter, a native of Little Rock, AR, began his musical education at home, learning and practicing jazz standards under the pedagogy of his father Art Porter, Sr., a illustrious pianist and other accompanist for Carmen McCrae and John Stubblefield. Starting off on drums and decorous portion of his father's ring, Porter was drawn to the sax after noticing the melodic proficiency of his father and another isthmus penis, Leonard Johnson, world Health Organization was his highschool school ring managing director. He distinct to send away the drums and get into the harmonics of music. The sax intrigued him with it beingness so fill up to the human voice. Porter picked up the sax and ground that he had a instinctive affinity with the instrument. When he was 16 and worked with his father's trio, he was barred from playing in clubs because he was under 21. The ensuing type lED to Arkansas State's Attorney General Bill Clinton push through a practice of law allowing underage performers to work if a parent or defender supervises.
At 18, Porter erudite his virtually worthful musical lessons when he began touring with such jazz masters as organist Jack McDuff and saxophonist Pharoah Sanders. He mature as a thespian and well-read how to interact with an audience. In between concerts, Porter continued his studies at the Berklee Conservatory of Music and at Virginia Commonwealth University where he became a scholar of pianist/educator Ellis Marsalis.
In 1992, Porter came to Chicago on a encyclopedism to Northeastern Illinois University, finish with a Bachelor of Arts degree. He went to study at Roosevelt University where he earned his master's degree. In the Windy City, Porter was mentored by fabled tenor saxist Von Freeman and bassist James Leary. When Porter was gestural to Verve Forecast, he distinct that instead of jumping on the then-current neoclassic jazz bandwagon, Porter distinct to make his largely self-composed debut contemporary instead than bop-revisited in style. Produced and engineered by keyboardist Jeff Lorber, Pocket City was right away embraced by those world Health Organization didn't want their smooth jazz "overly smooth" in the summer of 1992. The key tracks, the heart-melting ballad "Inside Myself," a cover of Maxi Priest's "Conclude to You," and funky hoppin' "Pocket City" (whose television was played on VH1 and BET) were played on both unruffled malarky and a few urban stations. Porter was sent on a promotional and concert tours where he built up a reputation for being very amiable and giving a high-octane performance. Porter was a gyration curiosity on microscope stage, smile like a Chesire arabian tea, blowing his spirit out, running around the venue honking it up. On November 23, 1996, while journey to a remote part of Thailand to do in a jazz fete, Porter was killed when the gravy boat he was horseback riding in capsized.
Beside his four Verve sets, Pocket City, Straight to the Point, Surreptitious, Lay Your Hands on Me, and the posthumously released For Art's Sake, Art Porter appeared as a sideman on recordings by Jeff Lorber, Tom Grant, and Ramsey Lewis and was infusing a hard federal Bureau of Prisons levelheaded aesthesia to suave jazz when he was killed.